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a1 lottery7 is In spite of this sharpness they were now almost equally and almost tremulously mild; though their mildness took mainly the form of an inevitable sense of nothing left to say. It was the unsaid that occupied them—the thing that for more than an hour they had been going round and round without naming it. Much too early for Fleda's train, they encountered at the station a long half-hour to wait. Fleda made no further allusion to Mrs. Gereth's leaving her; their dumbness, with the elapsing minutes, grew to be in itself a reconstituted bond. They slowly paced the great gray platform, and presently Mrs. Gereth took the girl's arm and leaned on it with a hard demand for support. It seemed to Fleda not difficult for each to know of what the other was thinking—to know indeed that they had in common two alternating visions, one of which, at moments, brought them as by a common impulse to a pause. This was the one that was fixed; the other filled at times the whole space and then was shouldered away. Owen and Mona glared together out of the gloom and disappeared, but the replenishment of Poynton made a shining, steady light. The old splendor was there again, the old things were in their places. Our friends looked at them with an equal yearning; face to face, on the platform, they counted them in each other's eyes. Fleda had come back to them by a road as strange as the road they themselves had followed. The wonder of their great journeys, the prodigy of this second one, was the question that made her occasionally stop. Several times she uttered it, asked how this and that difficulty had been met. Mrs. Gereth replied with pale lucidity—was naturally the person most familiar with the truth that what she undertook was always somehow achieved. To do it was to do it—she had more than one kind of magnificence. She confessed there, audaciously enough, to a sort of arrogance of energy, and Fleda, going on again, her inquiry more than answered and her arm rendering service, flushed, in her diminished identity, with the sense that such a woman was great. "What she said to me just before she went: she meant to plead with me.".

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🎮 "She has proved it. Will you believe it if you see the letter?" Fleda broke into a laugh which gave him a surprise as visible as the emotion it testified to. "Then how am I to know that you 'really' love—anybody else?"!

🏆 They walked far, to the southwest corner of the great Gardens, where, by the old round pond and the old red palace, when she had put out her hand to him in farewell, declaring that from the gate she must positively take a conveyance, it seemed suddenly to rise between them that this was a real separation. She was on his mother's side, she belonged to his mother's life, and his mother, in the future, would never come to Poynton. After what had passed she wouldn't even be at his wedding, and it was not possible now that Mrs. Gereth should mention that ceremony to the girl, much less express a wish that the girl should be present at it. Mona, from decorum and with reference less to the bridegroom than to the bridegroom's mother, would of course not invite any such girl as Fleda. Everything therefore was ended; they would go their different ways; this was the last time they would stand face to face. They looked at each other with the fuller sense of it and, on Owen's part, with an expression of dumb trouble, the intensification of his usual appeal to any interlocutor to add the right thing to what he said. To Fleda, at this moment, it appeared that the right thing might easily be the wrong. He only said, at any rate: "I want you to understand, you know—I want you to understand." "No. I knew only that you had had, in London, all that you told me, that day, to do; and it was Mona's idea that after your sister's marriage you were staying on with your father. So I thought you were with him still."!

🔥 Download a1 lottery7 Fleda hesitated; at last, before her companion's, she lowered her look. "Because I love him. It's because he's weak that he needs me," she added. "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"!🔥